Critic Lloyd Schwartz tells a story about Lezhneva, a Russian singer he “discovered” a few months ago — without realizing he already owned a 2015 recording of her rendition of Handel’s early oratorio.
Critic Lloyd Schwartz tells a story about Lezhneva, a Russian singer he “discovered” a few months ago — without realizing he already owned a 2015 recording of her rendition of Handel’s early oratorio.
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