Still, happen it did, and before long, the César Award nominee Krieps, who is from Luxembourg, found herself thinking back to that Westwood gown she’d seen all those years ago. “It almost looked like someone just threw clothes at a body, the way [the fabric] drops in a perfect way. It had all the tradition and craftsmanship of a wedding dress, but it was also kind of punk.”
Having briefly considered getting married in a silk pajama set, the actor decided on a whim to reach out to team Westwood. “I contacted them, thinking, I have this feeling that Vivienne Westwood would like me, even looking down from the sky.” The team then invited Krieps to attend the brand’s 2025 first bridal couture show, which was staged in Barcelona in April. “I went, and I met [Vivienne Westwood’s husband and now creative director of the house] Andreas Kronthaler, and we just fell in love with each other. [Trying on dresses] was like, I wish we could do this forever!”
Krieps ended up selecting three Vivienne Westwood gowns for her celebrations: a draped Grecian number for the eve of the wedding, a corseted mini for the party, and most special of all: a white princess gown decorated with pink Edwardian roses for the ceremony itself. “I have this thing with roses, because of my grandmother,” she says. “I have one photo of her where she has all these flowers. I had originally thought I would get married in pajamas because I’m not really that dress kind of girl, but then I remembered my grandmother, from when I was 12 years old, making me swear I’d get married in a white dress!”
Reflecting on it now, the bride thinks there was a certain amount of magic involved in the whole experience. “Obviously my original idea for the pajamas was about being humble, because I don’t need dresses.” In the end, she says, the journey towards choosing her gown became a lesson in “allowing myself to dream big. It was almost like my grandmother and Vivienne Westwood had a little chat up there and said, let’s make this happen.”