The Delhi High Court on Thursday stayed the release of the controversial film Udaipur Files, which was scheduled to hit theatres on July 11, pending a decision by the Central Government on pleas seeking its permanent ban.
A division bench of Chief Justice DK Upadhyaya and Justice Anish Dayal directed the petitioner, Jamiat Ulama-i-Hind, to approach the Central Government within two days under Section 6 of the Cinematograph Act, which empowers the Centre to revise CBFC’s certification decisions. The court ordered that the release of the film shall remain stayed until the Centre decides on any application for interim relief.
“We provide that till the application for interim relief, if made by the petitioner along with the revision petition, is decided by the government, the release of the film shall remain stayed,” the court held. The government has been directed to consider and decide the matter within a week, after giving the producer an opportunity to be heard.
The court noted that the petitioner had not previously availed the statutory remedy available under Section 6. “The petitioner ought to have approached the Central Government under Section 6,” the bench observed, stating that under this provision, the government is empowered not only to pass final orders but also to impose interim measures such as suspension of a film’s exhibition.
The court also cited the 1991 CBFC Guidelines, stating that films must be judged in their entirety and that the CBFC must not allow any content that promotes communal disharmony. It acknowledged the CBFC’s legal obligations under the Cinematograph Act and emphasised that Section 5C does not grant appeal rights to the public against a film’s certification, while Sections 5E and 5F vest the Centre with powers to suspend, withdraw, or review a certificate.
The court clarified that even though it has extraordinary jurisdiction, it would not interfere at this stage since the statute provides a clear alternative remedy.
During the proceedings, senior advocate Kapil Sibal, appearing for the petitioners including Maulana Arshad Madani, president of Jamiat Ulama-i-Hind and principal of Darul Uloom Deoband, urged the bench to view the film and described it as “vicious,” “full of violence and hatred,” and “cinematic vandalism.”
“This is not right for the country. It’s not art – it’s malicious propaganda. Please don’t let it reach the public,” Sibal submitted. He added that the film’s trailer, released on June 26, contained inflammatory content that had the potential to rekindle the communal tensions seen in 2022. He also referenced the filmmaker’s prior record, which he claimed included acts of hateful incitement, and noted that the trailer included scenes the CBFC had ordered to be removed.
The High Court had previously ordered the producers to screen the film for the petitioners on July 9. Sibal cited scenes from the film’s beginning – such as a Muslim man throwing meat at a Hindu household and the arrest of Muslim students – questioning their relevance to the core story. He argued the film attempted to malign an entire community and link unrelated communal events, including the Delhi riots.
The Udaipur Files is reportedly based on the 2022 murder of Kanhaiya Lal, a tailor in Udaipur, who was killed by Mohammad Riyaz and Mohammad Ghous. The attackers released a video claiming the act was in retaliation for the tailor’s social media post in support of former BJP leader Nupur Sharma.
The case is currently under trial before the Special NIA Court in Jaipur and involves charges under the Unlawful Activities (Prevention) Act and the Indian Penal Code.
Representing the Central Board of Film Certification (CBFC), Additional Solicitor General Chetan Sharma stated that the film focuses on crime and not any specific community.
He clarified that references to Deoband, Nupur Sharma, and Gyanvapi were removed from the final cut and said, “The CBFC is mindful of ensuring that no community is targeted.” Sharma added, “The story is about how communal seeds are being sown from across the border, and it includes calls for communal unity.”
The producer’s lawyer maintained that 55 cuts had been made to address communal concerns and insisted that the film did not portray Muslims in a negative light.
The lawyer also referenced the NIA chargesheet in the Kanhaiya Lal case, arguing that the film’s content reflects facts already in the public domain. However, the court stated that “you cannot justify the story of the film on the basis of any information collected during the investigation”.
The film was initially set to release in 1,800 theatres nationwide, with about 100,000 tickets reportedly booked in advance.
The court underlined that the government retains both revisional and interim powers under the Cinematograph Act to address such matters.
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