Zuhair Murad revisited Hollywood’s Golden Age with a collection inspired by screen legends like Katharine Hepburn and the powerful archetypes they portrayed.

The references were evident in several broad-shouldered cuts. That silhouette spoke volumes — sculptural and sharp with powerful lines that anchored delicate sheer gowns and fluid capes.

Big shoulders have been making a comeback as of late, often credited to an ’80s revival. But that decade itself drew heavily from the 1940s, prompting Murad to revisit the films of that era when designing this collection.

Hepburn’s characters always had strength and substance, explained Murad. That’s why he believes the era still resonates with the modern client. “Women today are still fighting for their dreams, their presence, their identity,” he said, emphasizing the importance of remembering strength in femininity.

That deliberate interplay resulted in a palpable tension between softness and structure.

While his recent resort and ready-to-wear collections have been more toned-down affairs, Murad brought the bling back with sparkle and swish.

He took the “golden” in Golden Age literally, using a palette of yellows and plenty of shine. One sequined column shimmered like a freshly polished Oscar.

Murad is a red-carpet favorite for a reason: these are attention-grabbing gowns, no doubt.

The Lebanese designer said current tensions in the Middle East created logistical challenges, particularly in receiving fabric shipments from Italy and France. But the couturier carried on. The result, he said, was a collection reflecting both hope and resilience — qualities that reinforce the collection’s central message.

For the first time, Murad introduced opulent faux furs in stoles, wraps and oversize cocoon coats. Some were embellished with beading and cabochons, adding another layer of glamor without the cruelty and ethical compromise.

This debut follows other new categories, including jewelry and handbags, as he continues to expand his fashion empire. Next up: a flashy new flagship and atelier in Paris early next year, followed by London.