Aishwarya Rai Bachchan returned to the Cannes red carpet this year in a powerful tribute to Indian handloom and heritage, donning a bespoke ivory Banarasi saree by Manish Malhotra. The former Miss World, who has long been associated with the festival, made a memorable appearance in a handwoven kadwa Banarasi drape paired with a shimmering tissue veil and an imperial set of heirloom rubies from the Manish Malhotra Jewellery line.
Aishwarya Rai Bachchan makes powerful statement with ‘Saree’ and ‘Sindoor’ at Cannes 2025
The saree, rooted in India’s centuries-old weaving tradition, showcased kadwa technique detailing—an intricate handloom artistry that reflects the richness of Varanasi’s textile legacy. With the caption calling her the “OG Indian Queen of Cannes,” Malhotra highlighted not just the craftsmanship but also Aishwarya’s consistent presence as a representative of Indian fashion on a global platform.
Styled by Allia Al Rufai and Nayaab Randhawa, Aishwarya’s look went beyond visual elegance. The actress opted for a mid-partition hairstyle by Stephane Lancien, and her makeup – done by Kavyesh Sharma—was classic yet impactful. Red lipstick and a vivid streak of sindoor added cultural symbolism to the ensemble, with many online noting the use of vermillion as a possible ode to Operation Sindoor – India’s recent military response following the tragic Pahalgam terror attack that claimed the lives of 28 civilians. Whether intended or not, the symbolism has sparked conversations about the actress’ silent support towards her nation as many believed that she remained silent during the India-Pakistan conflict situation.
Meanwhile, some others see it as a subtle personal statement wherein Aishwarya has indirectly addressed the ongoing speculation regarding her separation rumours with actor-husband Abhishek Bachchan with this traditional red-carpet moment—particularly the use of sindoor, thereby shutting them down and assuring concerned fans that ‘all is well’.
On the professional front, Aishwarya was last seen portraying the layered and enigmatic antagonist Nandini in Mani Ratnam’s Ponniyin Selvan franchise, which released in two parts across 2022 and 2023. The period epic earned her praise for her poised performance and screen presence.
As the actress graced Cannes once again, her appearance in handwoven Indian textiles was less about grandeur and more about grace, symbolism, and celebrating India’s craft on an international red carpet.
Also Read: Aishwarya Rai and Abhishek Bachchan steal the show with ‘Kajra Re’ moves in this viral wedding video
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