Silvana Estrada — Friday, May 2, Estadio Fray Nano

I was told to clear the press barricade because “there was a puppet coming.” Before I knew it, a flowing white creature made its way toward the stage, carried on sticks by six or so people before Silvana Estrada began her much-anticipated set. Backed by a full band that included a string ensemble, Estrada took the stage to present “Primera lluvia,” or “First Rain.” The beloved Mexican musician, front and center with her cuatro and loop pedals, went through a mix of songs from her debut, Marchita, and her new era: “This is more or less my first show of the year,” she teased. “I’m finally releasing an album.” Nodding to Beth Gibbons’ appearance the following day, Estrada delivered a cover of Portishead’s “Glory Box” over sparse violin and droning cymbals that propped up her powerful vocals. Her set felt like a true labor of love and community, with Estrada also welcoming Syrian American musician Bedouine, São Paulo native Tim Bernardes, and Rodrigo Amarante on stage at different points.

Earl Sweatshirt — Saturday, May 3, Estadio Fray Nano

Following a joint set from Roc Marciano and the Alchemist, Earl Sweatshirt took the stage with his DJ, Black Noi$e. Even with a packed crowd frothing at the mouth for him, he was nonchalant as usual. “I’m Earl Sweatshirt, and I’m ’bout to rap,” he announced before launching into a relaxed set that nonetheless showed off his generational skill on the mic. “Quest/Power” and unreleased live-show favorite “Setting the Mousetraps” were particular standouts, with Earl getting the crowd jumping and singing back to him, language barrier be damned. Lightning throughout the show, and the drizzle that followed, didn’t deter fans from staying until the last song and hanging on Earl’s every word.