Paris Jackson brought fiery energy to the front row of Stella McCartney‘s spring 2026 ready-to-wear show in a long-sleeve red maxidress during Paris Fashion Week on Tuesday.
The artist and daughter of the late pop singer Michael Jackson went contemporary with some nods to classic silhouettes for the fashion show. Jackson’s dress included a fitted silhouette, offering definition at the waist. The dress also featured a cutout at the back for added sensuality.
Paris Jackson attends the Stella McCartney show as part of Paris Fashion Week on Sept. 30 in Paris.
Getty Images
On the whole, Jackson’s dress was reminiscent of classic designs and feminine cuts, with her shoulders featuring a soft, rounded element and the hem of her dress including a small train for added dramatic effect. Jackson, who often favors gothic glamour and punk rock style, accessorized with a mini Ryder bag from the British fashion house.
As for glam and accessories, Jackson favored delicate rings, bracelet and dangle earrings in warm tones to augment her red dress. The singer’s blond hair was tussled into a messy updo with strands of hair to frame Jackson’s face. Her makeup was clean and serene, with bold brows and a soft lip as standout elements.
Jackson is a supporter of Stella McCartney’s designs, having attended previous fashion shows for the couturier in the past. In March, Jackson wore a viral sheer dress to the designer’s fall 2025 fashion show.
Paris Jackson
Swan Gallet
While McCartney’s fall 2025 ready-to-wear collection revamped office attire, her spring 2026 collection emphasized harmony, between collaborators, materials, nature and more. “McCartney said she wanted the spring season to be about ‘bringing together the Stella wardrobe, the people that I love, and all the innovation, which is so important,’ she said, adding, ‘There’s a lot going on, on that runway, things that have never been seen before,’” Samantha Conti wrote in WWD’s review of the collection.
“The collection itself was a tale of multiple silhouettes, and proportions. Shoulders had swagger, waists were nipped and hemlines wide,” Conti wrote of the standout elements from the show.
“McCartney applied classic corset shapes and exaggerated, sculptural shoulders to her signature, oversize mannish jackets, and even to cute skater dresses with crinolines. At times, however, McCartney went too far with the broad shoulders.”